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Wolfgang's Vault for Pink Floydhas items like:

Pink Floyd Poster

Performers:

Pink Floyd
Lee Michaels
Clear Light

Artist:

Bonnie MacLean

Date:

Oct 26, 1967 -
Oct 28, 1967

Venue:

Fillmore Auditorium (San Francisco, CA)

Size:

4 1/2" x 6 3/4"

Bonnie MacLean gave a nod to two contemporary cultural trends, the Nehru jacket of the well-dressed hipster and the psychedelic pattern of the fabric, to advertise British group Pink Floyd's appearance at the Fillmore.

The only handbills that exist measure 4 1/2" x 6 3/4" and were cut from the BG089/090 pre-concert double-sized postcard mailer.

Concert promoters created handbill versions of many of their posters and used them as sidewalk handouts and dashboard fliers to promote upcoming shows. Many of the handbills are double-sided, with poster art on one side and a calendar of upcoming shows on the other. These handbills represent an important element of rock concert history because they were hands-on marketing tools that united promoter and patron.
Wolfgang's Vault for Pink Floyd

The Incredible Fish Handbill

Performers:

The Incredible Fish
Pink Floyd
Collectors
Committee
The Sopwith Camel

Tour/Show:

KPFA: Benefit

Date:

Oct 30, 1967

Venue:

Fillmore Auditorium(San Francisco, CA)

Size:

5 1/2" x 7 5/8"

Berkeley radio station KPFA early took up the role as local voice for social activism and causes and gave airtime and coverage to the peace, civil rights and Black Panther movements. Part of the Pacifica group, their broadcasts had to look for appeal beyond the University community, and Bill Graham put together a benefit for the radio station at the end of October. Pink Floyd's founder and songwriter Syd Barrett, responsible for the psychedelic success of August, 1967 release Piper at the Gates of Dawn, would exit the band in April, 1968 after his erratic behavior made him too difficult for the band to handle.

Concert promoters created handbill versions of many of their posters and used them as sidewalk handouts and dashboard fliers to promote upcoming shows. Many of the handbills are double-sided, with poster art on one side and a calendar of upcoming shows on the other. These handbills represent an important element of rock concert history because they were hands-on marketing tools that united promoter and patron.
Wolfgang's Vault for Pink Floyd

Big Brother and the Holding Company Poster

Performers:

Big Brother and the Holding Company
Pink Floyd
Richie Havens
Glenn McKay's Head Lights

Artist:

Bonnie MacLean

Date:

Nov 2, 1967 -
Nov 4, 1967

Venue:

Fillmore Auditorium (San Francisco, CA)

Size:

14 1/16" x 21 1/8"

Back to a Medieval theme, MacLean frescoes the arches of BG091 with the performers' names, and the popularity of the billing can be read in the relocation of the concerts to the Winterland arena to accommodate the Friday and Saturday crowds. The stillness of the maidens belies the raucous dance-party atmosphere of the concerts.

The poster was only printed once before the concert. It measures 14 1/16" x 21 1/8".

Wolfgang's Vault owns one of the world's largest collections of original concert posters, featuring hundreds of rock posters, political posters, sports posters, comedy posters and others that were previously unavailable to the general public. Virtually all of our concert posters are in mint condition, and many are signed by the headline performer or the graphic artist.
Wolfgang's Vault for Pink Floyd

Concert Vault find interviews and concerts

Wolfgang's Vault for Pink Floyd

Overstock.com also carries a like of Pink Floyd Music like and much more:

Pink Floyd - The Wall

Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass); Nick Mason (drums). Additional personnel: Bruce Johnston, Toni Tenille, Joe Chemay, John Joyce, Stan Farber, Jim Haas, Islington Green School (background vocals). Producers: Bob Ezrin, David Gilmour, Roger Waters. Recorded at Superbear Studios, Miravel, France; Producer`s Workshop, Los Angeles, California; CBS Studios, New York, New York between April and November 1979. Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California). THE WALL was Roger Waters` crowning accomplishment in Pink Floyd. It documented the rise and fall of a rock star (named Pink Floyd), based on Waters` own experiences and the tendencies he`d observed in people around him. By now, the bassist had firm control of the group`s direction, working mostly alongside David Gilmour and bringing in producer Bob Ezrin as an outside collaborator. Drummer Nick Mason was barely involved, while keyboardist Rick Wright seemed to be completely out of the picture. Still, THE WALL was a mighty, sprawling affair, featuring 26 songs with vocals--nearly as many as all previous Floyd albums combined. The story revolves around the fictional Pink Floyd`s isolation behind a psychological wall. The wall grows as various parts of his life spin out of control, and he grows incapable of dealing with his neuroses. The album opens by welcoming the unwitting listener to Floyd`s show ("In the Flesh?"), then turns back to childhood memories of his father`s death in World War II ("Another Brick in the Wall [Part 1]"), his mother`s overprotectiveness ("Mother"), and his fascination with and fear of sex ("Young Lust"). By the time "Goodbye Cruel World" closes the first disc, the wall is built and Pink is trapped in the midst of a mental breakdown. On disc 2, the gentle acoustic phrasings of "Is There Anybody Out There?" and the lilting orchestrations of "Nobody Home" reinforce Floyd`s feeling of isolation. When his record company uses drugs to coax him to perform ("Comfortably Numb"), his onstage persona is transformed into a homophobic, race-baiting fascist ("In the Flesh"). In "The Trial" he mentally prosecutes himself, and the wall comes tumbling down. This ambitious concept album was an across-the-board smash, topping the Billboard album chart for 15 weeks in 1980. The single "Another Brick in the Wall (Part 2)" was the country`s best seller for four weeks. THE WALL spawned an elaborate stage show (so elaborate, in fact, that the band was able to bring it to only a few cities) and a full-length film. It also marked the last time Waters and Gilmour would work together as equal partners. pink floyd another brick in the wall

Track Listing: In The Flesh, Thin Ice, The, Another Brick In The Wall Part 1, Happiest Days Of Our Lives, The, Another Brick In The Wall Part 2, Mother, Goodbye Blue Sky, Empty Spaces, Young Lust, One Of My Turns, Don`t Leave Me Now, Another Brick In The Wall Part 3, Goodbye Cruel World, DISC 2: Hey You, Is There Anybody Out There, Nobody Home, Vera, Bring The Boys Back Home, Comfortably Numb, Show Must Go On, The, In The Flesh, Run Like Hell, Waiting For The Worms, Stop, Trial, The, Outside The Wall. 

Pink Floyd - Wish You Were Here

Description:
Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards, VCS3 syntheszier); Roger Waters (vocals, bass); Nick Mason (drums). Additional personnel: Roy Harper (vocals); Dick Parry (saxophone); Venetta Fields, Carlena Williams (background vocals). Recorded at Abbey Road Studios, London, England from January-July 1975. Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California). The breakthrough success of DARK SIDE OF THE MOON made WISH YOU WERE HERE a crucial follow-up in strictly commercial terms. Further pressure came from it being Pink Floyd`s first recording for a new label, Columbia. Yet the demands on the band only provided Roger Waters with more fodder for his lyrics, which glanced at the band`s roots as well as their new responsibilities. The mechanized throb of a VCS3 synthesizer, fed through a repeat-echo unit, signals the opening bars of "Welcome to the Machine," a diatribe against an industry more concerned with money than creative music-making. "Have a Cigar" further establishes Waters` contempt by bringing in singer Roy Harper to play the role of a "faceless suit," who none-too-innocently asks, "Which one`s Pink?" The remaining songs indirectly look back to the first casualty of Pink Floyd`s growing fame, the group`s founder, Syd Barrett. The 20-minute-plus "Shine On You Crazy Diamond" has its roots in earlier pieces like "Atom Heart Mother Suite" and "Echoes." But rather than just another Floydian soundscape, its lyrics make it a paean to Barrett`s genius and a requiem for his subsequent breakdown. The first five of the song`s nine movements open the album with sax player Dick Parry wailing as effectively as he did on DARK SIDE. The final four sections, which close the album, form a reprise that starts with the sound of wind and David Gilmour`s guitar screaming and crying. The band then settles into a laid-back jam that ends with Richard Wright`s billowing synth delicately fading out. The title track deals also with Barrett, as well as the tension the idealist Waters was feeling in battling the greed that surrounded the band`s success. The themes of disillusionment planted throughout WISH YOU WERE HERE would eventually sprout full-blown on THE WALL.

Track Listing: Shine On You Crazy Diamond (Part One), Welcome To The Machine, Have A Cigar, Wish You Were Here, Shine On You, Crazy Diamond (Part Two).

Pink Floyd - Dark Side Of The Moon

Description:
Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass instrument); Nick Mason (percussion).
Additional personnel: Clare Torry (vocals); Dick Parry (saxophone); Doris Troy, Liza Strike, Barry St. John, Leslie Duncan (background vocals).
Recording information: Abbey Road Studios, London, England (06/1972 - 01/1973).

DARK SIDE OF THE MOON was a benchmark record. It turned the musical world on its ear with a hitherto unseen combination of sounds, and changed things considerably for Pink Floyd. For this project, Pink Floyd resurrected older and unfinished numbers, some of which came from the multitude of soundtracks the band members had previously worked on. The film ZABRISKIE POINT, a study of American materialism from a foreigner`s perspective, provided "Us and Them" (originally titled "The Violence Sequence"). Waters rewrote "Breathe" after its appearance on his and avant-garde composer Ron Geesin`s score for THE BODY, a surreal medical documentary.

Floyd and their long-time engineer, Alan Parsons, used a multitude of sound effects--from stereophonically projected footsteps and planes flying overhead ("On the Run") to a roomful of ringing clocks ("Time"). Further adding to the record`s mystique, barely audible spoken passages were sprinkled throughout--a result of hours interviewing random Abbey Road occupants about their views on insanity, violence, and death. Floyd must have struck a nerve: DARK SIDE OF THE MOON remained on Billboard`s albums chart for an astounding 14 years. It made Pink Floyd a household name, elevating them to the level of the Rolling Stones and The Who in the rock pantheon.

Track Listing: Speak To Me / Breathe In The Air, On The Run, Time, Great Gig In The Sky, The, Money, Us And Them, Any Colour You Like, Brain Damage, Eclipse.

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